 |
|
|
Lives and works in New York |
| |
| GRANTS
& RESIDENCY AWARDS |
| |
| 2004 |
Serie
Project for Printmaking, Austin, TX |
2002
|
MacDowell
Art Colony,
Peterborough, NH |
2001
|
New
York Foundation for the Arts, Artists Fellowship
Yaddo, Louise Bourgeois Residency Award
for a Sculptor |
2000
|
CANYS
Grant for New Project: Craft Alliance of
New York State
Blue Mountain Center for the Arts |
1999
|
Edward
Albee Art Center |
| 1998 |
Ruth
Chenven Foundation Grant for New Project |
| 1997 |
The
Millay Colony for the Arts |
| 1991
& 1997 |
ESCA
(Empire State Craft Alliance of New York
State) Grant for New Project |
| |
| SOLO
EXHIBITIONS |
| |
2003
|
Hudson Guild Gallery II, New York, NY
Installation for Green Windows, SOHO 20
Gallery, NYC (non-member invitational)
|
| 2002 |
Recent & Collected Works,
part of Japanese Festival at Portland Museum:
Disjecta Gallery, Portland, OR |
2001
|
Passing
Life -Four falls, site specific installation,
Florence Lynch Gallery, New York, NY |
1999
|
“Transformations”, 3 large
scale outdoor installation using the Reserve’s
trees and ground with
35 works for gallery space. LongHouse Reserve,
East Hampton, NY |
1998
|
Rain
Forest
site-specific installation for 45’x30’
space. It is a personal protest against
chemical weapons and a memorial for the
victims. Vibrant Gallery, New York, NY |
| 1991 |
Matsuya Gallery, Tokyo, Japan |
| |
| SELECTED
GROUP EXHIBITIONS |
| |
| 2004 |
Reduce/Reuse/Reexamine,
Glyndor Gallery: Wave Hill, Bronx, NY |
2003
|
Mercurial
Tamiko Kawata, Gloria Kisch, Daniel Rothbart:
Williamsburg Art & Historical Center,
Brooklyn, NY
Overhead Underground: Reimagining The
Faerie Landscape, Le Petit Versailles
Garden, NY, NY
A.I.R. 5th Biannual, A.I.R. Gallery,
New York NY |
2002
|
Two
Artists’ Works,
Takano Art Gallery, Tokyo Japan
Painting Lately, Abstract Work:
Henry Street Settlement Abrons Art Center,
NY, NY |
2001
|
Air, Space & Water Museum,
HEREart, New York, NY
That Which Remains The Lowe Gallery
at Hudson Guild, New York, NY
Wired Works, Browngrotta arts,
Wilton, CT
Skein, Contemporary Craft Gallery,
Portland, OR
Site Specific 2001-Wavelets, Carriage
House, Islip Museum, East Islip, NY
Fifteen Asian American Artists,
University Art Gallery. Staller Center
for the Arts, Stony Brook State University
of New York, Stony Brook, NY |
2000-01
|
Nature
of Fiber, outdoor installation, Stone
Quarry Hill Art Park, Cazenovia, NY |
2000
|
As
If Alive: Animate Sculpture, New Jersey
Center for Visual Arts, Summit, NJ
Transformations, OMNI Gallery,
Uniondale, NY
Generations II: A Survey of Women Artists
at the Millennium, A.I.R. Gallery,
New York, NY
Elements 2000, Snug Harbor Cultural
Center, Staten Island, NY
Stillness Within, Three-artist
exhibition, Elsa Mott Ives Gallery/YWCA/NYC,
New York, NY |
1999
|
Contemporary
Arts of New York State,
New York State Museum, Albany, NY |
1998
|
A.I.R.
Third Biennial Exhibition, A.I.R.
Gallery, New York, NY
Staten Island Biennial Exhibition,Staten
Island Institute of Arts & Science
Museum, SI, NY |
1997
|
Women
Show III, Bullet Space, New York,
NY
Poetics of the Edge/Two Artists,
Grace Gallery, New York Technical College,
CUNY, Brooklyn, NY |
1996
|
Order
System Structure, RCCA Art Center,
Rensselaer County Council for the Arts,
Troy, NY
Ephemeral Metal: Interlock-Interweave,
Elsa Mott Ives Gallery/YWCA/NYC, New York,
NY
Permutations, MMC Gallery, Marymount
College, New York, NY |
1991
|
Historical
Sources: New Visions in Contemporary Metalsmithing,
Memorial Art Gallery of the University
of Rochester, Rochester, NY |
1987
|
Fiber
R/Evolution International Exhibition,
Wisconsin/Milwaukee Art Museum, Milwaukee,
WI |
| |
| EDUCATION |
| |
| |
BA,
Sculpture, Tokyo University of Education
(Tsukuba University), Tokyo, Japan |
| |
| SELECTED
BIBLIOGRAPHY, PUBLICATIONS |
| |
| |
Tokyo
Shinbun: Essey , December 22nd, 2002 by
Minoru Fukada |
|
|
Yomiuri
Shinbun: Art section. December 18th, 2002
|
| |
Daily
Yomiuri: Art review, December 14th, 2002
by Asami Nagai |
| |
The
Sunday Oregonian: Art Review, June 28,
2002 by Melissa Coleman |
| |
Willamette
Week (Portland, OR) : Art Review June 12,
2002 by Lisa Lambert |
| |
The
Sunday Oregonian: Art Review, July 22,
2001 by Bob Hicks |
| |
New
York Times: Long Island section, Art Reviews,
July 15, 2001 by Helen A. Harrison |
| |
Sculpture
Magazine: Focus, May 2000 issue by William
Baran-Mickle |
| |
New
York Times: Long Island Section, Art Reviews,
June 2000 by Helen A. Harrison |
| |
Changing
Art’s Very Fiber: Syracuse Herald
American/Stars, Sep 2000 by Katherine Rushworth |
| |
Profile
of Tamiko Kawata: Stone Quarry News, Sep
2000 by Margaret Potter |
| |
Two
Artists’ Concept: Gekkan Bijutsu*,
Sep 1999 by Miyako Yoshinaga (M.Y.I. Art
Gallery) |
| |
Tamiko
Kawata’s Outdoor Sculpture: Geijutsu
Shincho*, Oct 1999 by Manami Fujimori |
| |
| CATALOGUES
after 2000 |
|
|
| |
Contemporary
Skeins: Heather W. Rogers curator for Contemporary
Crafts Gallery, Portland OR |
| |
Site
Specific '01: Catherine Valenza curator
for Carriage House/Islip Museum, Islip
NY |
| |
Fifteen
Asian American Artists: Rhonda Cooper Director
for University Art Gallery/Staller Center
Stony Brook SUNY, Stony Brook NY |
| |
As
If Alive: Animate Sculpture by Sara Henry
Corrington: Professor Drew University,
NJ |
| |
Nature
of Fiber: Nell Znamieroki curator for Stone
Quarry Hill Sculpture Park, Cazenovia,
NY |
| |
| COMMISSIONS
& COLLECTIONS |
| |
| |
Stone
Quarry Hill Art Park, Outdoor sculpture:
August Grove, Cazenovia, NY
LongHouse Reserve Permanent Collection,
East Hampton, NY
Lloyd Catsen Collection, San Francisco,
CA
Jack Lenor Larsen Collection, New York,
NY
Yusuke Aida Collection, Tokyo, Japan
Davis Brody Bond, Architects, New York,
NY
PREC Institute, Tokyo, Japan
Buenno Premesela Art Collection, Amsterdam,
Holland |
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